“There are people who genuinely don’t know what’s going on but there are those who simply want to poke at the situation to see what kind of reaction they’re going to get,” says Sanaipei. “I’ve learnt not to react because reacting fuels conversation and more comments, be it insults or compliments.”
Even though she is keen not to put up a performance for the masses, her character, Nana, is orchestrating a performance of her own in court at the moment in what is being called the ‘trial of the year.’ From shedding a tear to wearing exaggerated outfits to staging conspiracies, there is no place that she wouldn’t go to prove her ‘innocence.’
And while Nana has always been untouchable and resourceful, especially when backed into a corner, Sanaipei agrees that this trial has tested the limits of her strength.
“For the first time, you see that she (Nana) is frustrated by the way things are going, and by the testimonies that are being given. And every day after court, she must go home and think about how she’s going to maneuver her way out of these obstacles,” Sanaipei says.
Kenyan socialite Shakilla turns 21